BRODIE
Brodie was alone at
the kitchen table in the big house
at Saltgrass, eating a free man’s
lunch in his dirty coveralls when I
banged in cursing, wrecking the
calm. He looked up, innocence,
from his sandwich of big slabs of
cheese and pickles. Somehow, he had
learned already, in his twenties,
in the years of his wooden-boat-
building apprenticeship, that the angle
of beauty and insight corresponds to
the angle of clear-sighted intent.
Mischief-maker, the sweetest
of us all, with his slapstick grin
and Zenhearted clowning—it was he
who had discovered that the
new life we all dream of
as invariably beginning with some
notion like leaping off the porch
and disappearing from the
present actually starts to come true
when you turn and go inside
the house and lift your historical
body in your arms and
descend into the unfinishable
past until finally you are walking
straight into the sky with empty
arms outstretched. Of course no
one knew that four years later
he would be dragged exhausted into
freezing night waters off the coast of
Alaska by a running-out cable,
and that his body with its balance
of the silly and the lovely and
the true would never be seen again,
leaving such a longing for his
name, ghostgrin of impudent
grace. From his interrupted
lunch, he watched me with angelic
humor while I preened with fury,
having just spent twenty minutes
on the gravel under my Toyota with
no talent or experience unable to
get a decent angle or clear
purchase on some bolthead
but repeatedly trying the same
approach that didn’t work until cursing
I’d pulled my body into sunlight
and stood up, young and defeated,
and stomped into the kitchen yelling
“Fine! I give up! I can’t do it! No
doubt you can do it! Fine!" and he
waited until I'd specified the precise
nature and location of the problem,
whereupon, untouched by even
a shadow of my agitation,
he smiled, and said without pride
or condescension, with the timing
of a saint: "There's a tool for that."
—Glenn Hughes
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Copright ©2005 Glenn Hughes