[ Entries have been added here that are not found in the printed edition. They are marked with an asterisk: * ]
| of, 111; divine, 110, 111; essential movements of, 225; in flux, 223, 224; and Homeric characters, 129; leap in, 187; meaning of, 16, 152; mode of, 102; transcendent, 147, 186; truth of, 87 |
| closed existence, 257; cognitive direction of, 281; concrete, 162n24; dogmatic formulations of, 242; and intentionality, 281; meditative exploration of, 242; of open existence, 257-58; philosophical, 16, 152; and philosophy, 241-42; Voegelin's philosophy of, 241-43 passim |
| Brothers Karamazov, The, 77; Gambler, The, 225; Idiot, The, 100; Notes from the Underground, 225; Possessed, The (Demons), 233, 235 |
| of, 84-85, 86; language body of, 31; novels and, 233; symbolism of characters in, 234 |
| 235; and new influx of reality, 234; and por- trayal of obsession, 233; "Problems of the Theatre," quoted, 236. See also Doderer, Heimito von; Frisch, Max |
| literary, 153; appropriate symbolic, 16; con- nection of content and form, 104; and con- tent, 123; differentiated, 223, 224; Heilman's classification of dramatic, 86; literary, of the Gospels, 183; of myth, 223; new literary, in philosophy, 12, 241; poetical, 104; specifi- cally human, of literature, 223; and spirit, 39; of the via negativa, 242; Voegelin's classi- fication of symbolic, 183 |
| governmental order (Jupiter), 35; intellectuals and, 189; of Light (Apollo), 35; measure of man is, 20, 158; revolt against, 20, 158, 233; symbolism of, 111; Thomas Mann and, 77; in Turn of the Screw, 41-43 passim |
| 186, 189; and evil, 123; Homeric, 98; human seeking of, 270; in King Lear, 34, 35; as sym- bols that articulate transcendence, 189; there are no, 132, 186, 189; and the uncon- scious, 93 |
| 98-99; Carl J. Friedrich on Voegelin's, 134; complicated psychology of, 93; Elizabeth de Waal on Voegelin's, 116-27; Heilman on de Waal's reaction to Voegelin's, 119-31; Heilman responds to Voegelin on, 113; and theory of blindness and sight, 98-99; Voegelin on characters of, 117 |
| I), 13, 147, 149, 167; and amnesia of the past, 21, 161; Heilman's response to Voegelin's acknowledgement in, 21, 159-61 passim Voegelin's acknowledgment of Heilman in, I |
| 103; and schizophrenia, 225, 256; symbols of, 258, 260; The Turn of the Screw analyzed by Voegelin, 39-52 passim ; Voegelin essay for Southern Review on, 251-58 passim , 260-61 passim , 262, 263, 322; vogue, 103 |
| 156; and Homer essay by Voegelin, 123; and humanism, 189; as permanent occupation of Voegelin, 142; in the United States, 65 Literature, 4n7, 19n25, 103, 165, 211, 236, 240; American, 7, 24, 126, 261; as former of reality, 205, 210; "of disaster," 155; English, 65; as expression of human experience, 5; the grotesque and, 233; history of, 66, 321; Homer's work as first, 98; life and, 186, 192, 197; moral status of, 205; myth and, 223; positivistic studies in, 80; Renaissance, 93, 100; symbolism and, 321; teaching, 21, 161 |
| of, 247; faith, hope, and, 105; of the Good, 2; and governess in The Turn of the Screw, 51; and hate, 151; and Helen, 106; for life excessive, 128; in Othello, 97; scene and symbolism in Turn of the Screw, 49; as tension toward ground of being, 281; of true reality, 211. See also Eroticism; Sex |
| Othello (Heilman), 149, 321; Heilman's response to Voegelin's comments on, 153-56; Voegelin's response to, 147, 150-53, 156-59; winner of Explicator Prize of 1956, 175. See also Othello |
| in revolt against God, 233; "common," 35; differentiated, 223, 224; Everyman, 152; God is measure of, 20, 158; little, 20, 158; mass, 153; "modern," 152; nature of, 21-22, 105, 157, 158, 161, 259, 270; and relation to nature, 34, 95; "socialistic," 94; and theology, 11, 111; views of, in "naturalistic" tragedy, 9, 95, 123-24, 126. See also Human nature |
| Faustus, 77, 79; and the German disaster, 77; humanism of, 77, 79; and the picaresque ( Felix Krull ), 175, 186, 198, 248 |
| disaster and conquest, 192; Heilman on, 197-98; Hobbesian psychology and, 194-95; politics as, 193-94, 197; replacing genuine drama, 194; spirituality and, 195; Voegelin on, 193-95 passim ; war as, 193. See also Comedy; Tragedy |
| and language symbols, 151; and metaphysical speculation, 82; new philosophy of, 189; poetry, truth, and, 170; political, 126; "Shakespeare," 213; as symbol of human existence, 76; and Time of the Tale, 225 |
| 231; Heilman comments on, 185-86; last volume of ( In Search of Order ), mentioned, 244; and theoretical problems, 241; two additional volumes planned, 267, 268; Voegelin responds to Heilman's editing of chapter 1, 10, 110-11; vol. I received by Heilman, 159; vol. 4, mentioned, 147, 169, 170, 202, 209, 212, 214 |
| 247, 314, 316, 319; "common sense," 259; of consciousness, 141-43; English, 259-60; of existence, 208; at Harvard, 227, 229; history of, 11, 111; of history, 144, 222, 223; of lan guage, 10, 110, 223, 232; of myth and revelation, 189; new literary form in, 12, 241; political, 136-37, 265, 313 |
| 227, 279, 316, 317; Coleridge and, 75-76; Heilman's response to Voegelin on, 37-38; interpreted as fascist, 151; Ion, 75; Laws, 37, 38; and meditative dialogue, 223; Phaedo, 75; Republic, 38; sense of tragedy in, 89; and tension of existence, 281; and theology, 110; Timaios, 34; and twentieth-century way of life, 38; Werner Jaeger on, 89 |
| (Aristotelian) conception of, 194; Gnostic, 100; and immortality, 228; intellectual, 189; as melodrama, 193-94, 197; philosophy of, 265; science of, 137; as struggle for power, 194-95, 278; theoretical, 91 |
| of, 152; attitude toward, 197; constructed and true, 211; and D. H. Lawrence, 211; deformation/destruction of, 233, 234, 236, 257; demonic, 87; genuine love of, 211; Homeric, 130; and language, 223; and literary artist, 210; literature constitutes, 210; new influx of, in Friedrich Dürrenmatt and Max Frisch, 234; omission of parts of, 248; and problem of "second reality," 168-69; as state of potentiality, 210; symbolic appre- hension of, 140; whole of, 235 |
| 309, 310; as an Aristotelian virtue, 105; condition of, 151; cooperation in, 150; freedom of, 74, 309; ideology and destruction of, 312; inventions of sciences by man, 102; Wilhelm von Humboldt's, 243 |
| 306; positivism and historicism in, 5; positivist ideologues in, 310; quantitative research in, 307; Voegelin's analysis of the state of the social sciences, 308-20 |
| Anthony and Cleopatra, mentioned, 37; on blindness and sight, 321; Coriolanus, mentioned, 37; and Elizabethan habits of mind, 161; Goethe on, quoted, 36-37; greatness of, 161; Julius Caesar, mentioned, 37; and "modern man," 152; on nature and astrology, 34; and Plato on man, 157; role given to, 10, 221 |
| conflict within the, 84; demonically closed, 41, 254; fate of, 88; and human order, 87; and immortality, 281; order of the, 87; spiritual transfigurations of a, 16, 152; symbolized as the governess in The Turn of the Screw, 41-52 passim ; "vanity" of the, 254 |
| excellence and true, 195; form and, 34; law of the, 38; life of the ( bios theoretikos ), 105, 195; mind and, 17, 154; passion and, 195; polis and, 39; problems of the, 194; quality of, 36; true role of, 169; of the world, 37 |
| ness of, 257; of contracted existence, 266; experience and, 16, 152; "fuzziness" in, 260; ideological, 142-43; inconclusiveness in James's, 257; Joachitic, 248; and language, 15, 151; opaque, 242; pattern of, 40; and ratio- nality, 151; sight, 31-32; and transcendence, 189; in The Turn of the Screw, 51-51; of "understatement" and "gentility," 260; word, 32 |
| ness and sight, 321; and characters in drama, 234; Gnostic, 232, 233, 235; of the God who becomes man, 111; of man-animal, 287; of Newspeak, 232; and progressive ideology, 259; sensual, 31; for transcendent meaning, 31; in The Turn of the Screw, 49, 51 |
| of, 11, 270, 278; between potentiality and actuality, 259; of the psyche in depth, 241; of the soul toward the divine ground, 242; Voegelin's response to Heilman's reservations, 11, 281 |
| 83, 89, 158; and catharsis, 87-88, 89, 191; and death, 126; and disaster, 192, 195, 197-98; and excellence, 198; and happy endings, 85, 86; Heilman's study of, and melodrama, 186, 188, 192, 195, 197, 205, 239, 244; Heilman's theory of "parts" in, 16, 152, 321; as literary genus, 16, 152; and milieu, 86, 153; modern variant of, 16, 152-53, 155; natu ralistic, 9, 95, 116; Platonic sense of, 89; Shakespearean, 151; structure of", 84, 146; Voegelin's study of, mentioned, 86, 97. See also Comedy; Melodrama; Tragedy and Melodrama |